A new arts and culture destination opens at Edinburgh’s restored City Observatory site.
Campbell’s Soup cans and Marilyn Monroe screen prints ensure that Andy Warhol’s legacy continues to be felt more than 30 years after his death in 1987 and they grab your attention on arrival at this latest exhibition which takes its name from a declaration the icon of the Pop Art movement made in an interview in 1963.
Silent Light, part of Edinburgh’s Christmas, is an exclusive event in an inclusive setting, says Andy Moseley
Mounted in a corner of Trevor Jones’ white-walled art studio is a collection of pages of the Financial Times, each superimposed with striking painted images, none more shocking than that of a man holding a gun to his head.
As the hotels, pubs, cafes and landlords reflected on another profitable Edinburgh Fringe, the last of the trains were leaving town packed with performers nursing their losses and wondering whether they could afford to do it again next year.