An exceptional library of historic photographs, capturing a century of life in Scotland, has been acquired for £1 million from a private collector.
The acquisition followed a rare collaboration between the National Library of Scotland and the National Galleries of Scotland.
It contains more than 14,000 images – dating from the earliest days of photography in the 1840s through to the 1940s.
The deal was put together with support from the Scottish Government, the Heritage Lottery Fund and Art Fund.
The collection covers an expansive range of subjects – including family portraits, working life, street scenes, sporting pursuits, shops, trams, tenements, mountains and monuments. Until now, it was one of the last great collections of Scottish photography still in private hands.
The collection was put together by photography enthusiast Murray MacKinnon, who established a successful chain of film-processing stores in the 1980s, starting from his pharmacy in Dyce, near Aberdeen.
He said: “The collection covers the day-to-day lives of Scottish people both rich and poor, the work they carried out including fishing and farming, in order to survive, and their social life including sport and leisure.
“These were turbulent times what with industrialisation, shipbuilding, new forms of transport, the social upheaval caused by the First World War in Europe and the Boer War in South Africa.
“I would like to thank all the people involved in acquiring this collection for the Scottish nation, and for their great efforts in making this acquisition possible.”
National Librarian, Dr John Scally said: “Scotland has a unique relationship with photography which dates back to the work of the early pioneers such as Hill and Adamson.
“This acquisition is akin to buying Scotland’s photographic album of 14,000 pictures and bringing it home, and together with the National Galleries of Scotland, we were determined to make that happen.”
National Galleries of Scotland, Director General Sir John Leighton, said: “This collection superbly demonstrates the important role Scotland had in shaping the history of photography. Our ability to tell this story is greatly enriched by this acquisition, and we look forward to the exciting partnership with the National Library of Scotland in making these artworks accessible to all.”
Heritage Lottery Fund, Manager for Scotland, Lucy Casot, said: “Taken in the pioneering days of photography in Scotland, these historical images allow us to glimpse our ancestors going about their daily lives. Thanks to players of the National Lottery, this valuable resource has been secured for us all to enjoy. It’s a fascinating collection detailing what life was like and how that has shaped us as a nation.”
Director of Art Fund, Stephen Deuchar said: “We are proud to be able to support both National Library of Scotland and National Galleries of Scotland in acquiring Murray MacKinnon’s unparalleled collection for the nation. It is incredible to have these photographs join a public collection where they can be enjoyed for generations to come through their display and tours as well as digitally.”
The photographs provide a visual record of how Scotland has changed physically, socially and economically since the 1840s.
More than 600 original photographs from the pioneering days of photography featuring work from David Octavius Hill (1802-1870) and Robert Adamson (1821-1848), James Ross (d.1878) and John Thomson (d.1881), Cosmo Innes (1798-1874) and Horatio Ross (1801-1886).
Some of the finest work of Thomas Annan (1829-1887) and his son, James Craig Annan (1864-1946) including rare examples of their original albumen prints.
Examples of the work of Scotland’s successful commercial photographers including George Washington Wilson (1823-1893) and James Valentine (1815-1880).
Portraits of Scottish regiments from the Crimean War by Roger Fenton (1819-1869).
A series of albums and prints depicting life in the main towns and cities from the late 1800s and early 1900s.
Studies of farming and fishing communities in remote villages and hamlets.
Scenes of shipbuilding, railways, herring fishing, weaving, whisky distilling, dockyards, slate quarries and other working environments.
The collection contains a view of Loch Katrine by William Henry Fox Talbot, who travelled to Scotland in the autumn of 1844.
Talbot was the inventor of the calotype, a negative-positive paper process that was patented around the world, but, importantly not in Scotland, allowing for free use and experimentation.
As a result, early Scottish photographers, such as Hill and Adamson and Ross and Thomson, were encouraged to take up the new technology, becoming key figures in developing its potential as both document and art form within its first two decades.
A major exhibition of the MacKinnon collection will be held at the Scottish National Portrait Gallery next year, with touring exhibitions around the country to follow. The entire collection will also be digitised over the next three years and made available online.