Mounted in a corner of Trevor Jones’ white-walled art studio is a collection of pages of the Financial Times, each superimposed with striking painted images, none more shocking than that of a man holding a gun to his head.
A magazine complement to the Daily Business website
Mounted in a corner of Trevor Jones’ white-walled art studio is a collection of pages of the Financial Times, each superimposed with striking painted images, none more shocking than that of a man holding a gun to his head.
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